Hutchinson’s drawings and video work confront this situation by offering a crucible where heterogeneous forms of sociability are worked out through a dynamic network of forms – before, during and after production. Following the receding perspectives of history and geography, lines are traced in a globalized space that extends to time: history, the last continent to be explored, is traversed like a territory. The work references future events according to a system of cognitive logic, presented as a kind of fake archeological re-enactment – relics whose historical placing remains unclear.
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